Peter Hübner - Archaic

A Micro Music Laboratories production • Digital studio recordings under the artistic and technical direction of the composer Peter Hübner.
© Aar Edition International 1999 • ℗ United Productions International 1999 • All rights of the manufacturer and of the owner of the recorded work reserved. Unauthorized public performance, broadcasting, lending and copying of this recording prohibited.

Publishing Duplicating Broadcasting
Classical Music Group
Aar Edition
Micro Music Laboratories
United Productions

ZEN
HYMNS 1-5

Baritone Solo
Bass Solo
Men’s Choir
Great Philharmonic Orchestra
Electronic & Archaic Instruments

ZEN
HYMNS 1-5

Soprano Solo
Alto Solo
Women’s Choir
Great Philharmonic Orchestra
Electronic & Archaic Instruments

ZEN
HYMNS 1-5

Soprano Solo
Alto Solo
Baritone Solo
Bass Solo
Choir
Great Philharmonic Orchestra
Electronic & Archaic Instruments

Digital studio recordings under the artistic and technical direction of the composer Peter Hübner.

Total - 15 CDs

Peter Hübner
ZEN – HYMNS

label: Archaic
total playing time: 16h 55’03”

The knowledge of the absolute tone substance, i.e. the identification of the individual mind with the comprehensive basic vibration of the harmony, or with the basic vibration of cosmic thinking respectively, enables our mind to analyse and synthesise in an integrated manner – to understand and to feel in an integrated manner – and thus to experience and to comprehend simultaneously the inner musical fields of knowledge of the motifs and sequences, but also of tones and of the infinite field of the harmony – within space and time, as well as beyond space and time.

Moreover, the perception of the absolute tone substance stimulates our intellect, as well as our sense of hearing, to swing in this perfect basic vibration of the harmony, and it thus creates a state of restful alertness in these tools of our knowledge.

This restful alertness, in turn, enables our intellect of twice the perception, our feeling and under-standing intellect, as well as our sense of hearing to directly comprehend and experience the musical meaning.

It enables our tools of cognition to experience the musical process of development as a mani-fold unity on the level of the absolute now – i.e. beyond space and time – and just as well within space and time – i.e. in the relative yesterday, today, and tomorrow.

PETER HÜBNER
LISTENING TO MUSIC
“The System of the Fields
of Knowledge in Music”